“Star Trek Into Darkness” – it boldly went…

Note: The following review is kept spoiler-free. I have no interest in ruining anyone’s experience with this movie, so feel free to read along.

This morning I made a bet against myself, which stated that if I enjoyed “Star Trek Into Darkness” later today, I would make an effort and watch every single “Star Trek” film and all the TV shows. Yes, I admit I haven’t been the nerdiest of nerds so far and I somehow managed to survive until this day having only seen an odd episode of The Next Generation and maybe Voyager, back when it was on TV and there was nothing more interesting to see. Strangely enough, I have always been drawn more towards other types of Sci-Fi with the likes of “Star Wars” at my side.

Well, I think now would be the time to get acquainted with William Shatner and the gang, because I thoroughly enjoyed J.J. Abrams’ “Star Trek Into Darkness”. In fairness, ‘enjoyed’ is a bit of an understatement, as I can honestly say that it’s the best Sci-Fi I’ve seen this year – hands down; and quite frankly it is one of the best Sci-Fi I’ve seen in recent memory. On top of all that, it being a sequel (and I think I’ve made myself clear on where I stand on sequels) makes it look even better, with the bar set a couple of notches higher than usual.

It is a very rare occurrence when a sequel surpasses the original and – make no mistake – “Star Trek Into Darkness” does not fall into that category… but it’s damn close, I have to say. If anything, people like Shane Black or Michael Bay should actually ring up J.J. Abrams and request some lessons on how to make a sequel properly, so that it doesn’t suck. My point is that if a given film deserves a sequel, than it needs to be to its original what “Star Trek Into Darkness” is to “Star Trek” (2009).

Even though it is not crucial, the knowledge of what happened in the previous “Star Trek” is highly recommended in order to feel comfortable. While there are plot-points that specifically address some events from the original, they are mostly of minor nature and refer to character development. Anyway, we are introduced to the crew of USS Enterprise a couple of years after the events of the previous film. Of course, we still operate under the assumption that the previous “Star Trek” formed an alternate timeline to what all the Trekkies consider ‘canon’, therefore it is only logical to dismiss any butt-hurt comments on the discrepancies between the old Star Trek and this one as stupid and out of place.

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Right, so we’re back with Captain Kirk and the gang who keep on going boldly where no man has gone before as they survey other species, observe, learn and stuff. Gut-feeling Kirk (Chris Pine) and cold-and-rational Spock (Zachary Quinto) have managed to develop a one-of-a-kind relationship that involves a lot of snappy comebacks and situation humor based on the fundamental differences between them. However, something goes wrong during the mission and as a result the crew gets disbanded, Kirk gets sent back to the Academy and the rest of the gang gets reassigned to other starships. Meanwhile over in England, a mysteriously looking fellow (Benedict Cumberbatch) pulls off a terrorist attack of massive proportions. The Starfleet brass quickly identifies the culprit as one of their own, a rogue agent called John Harrison, whose agenda is not exactly understood, but one thing remains clear – he’s one dangerous puppy. A series of events (that I shall not disclose) leads the Federation to reinstate Kirk and to send him on a hunt to the far reaches of the galaxy with a mission to find and bring Harrison down for his crimes. And it’s no easy task as he seems to be hiding on Kronos – the Klingon home world, and any misstep by our brave protagonists might extend the already tense relationships between the Federation and the Klingon Empire into an all-out war.

As you might have already noticed, I’m no Trekkie (at least for now, but I can’t promise anything), but what I can say is that I can’t help but admire how brilliantly Abrams handled this film; I’d even go as far as to say that I enjoyed “Star Trek Into Darkness” so much because I have little knowledge of the classical Treks. The film is packed with action delivered at a steady pace with the pathos and epic scenes dosed rationally. In fact, it’s the story and the characters that make up for the bulk of awesomeness of this film, because most of the action takes place in confined spaces. There are, of course, some epic sceneries and sequences of catastrophic proportions, but they somehow fail to overshadow what is the most important in this film – the characters of Kirk, Spock and Harrison, and the game they play.

 

Speaking of John Harrison, Benedict Cumberbatch has done a splendid job in creating a real flesh-and-blood villain that a viewer can have an emotional response to. His character is seriously malevolent, scary, vindictive and unpredictable. Plus, his character is responsible for most (if not all) of the story’s dynamic qualities, as his actions trigger very important changes that protagonists will undergo, and this ultimately stands behind the film as its biggest asset. It only goes to show that you can throw away millions of dollars on CGI effects, but the story is what will make the film float or sink. Here we seem to be having a damn near perfect storm of both, with exquisite CGI, action and solid important characters.

“Star Trek Into Darkness” is very much a sequel well done; still a sequel and very much an Abrams’ movie with the characteristic photography, lens flares, dynamic cutting and bold twists. J.J. Abrams clearly knows how to handle a universe of that size and still create something gripping and enjoyable. Additionally, this film does not fall into the trap of ‘bigger, louder and more explosions’ and does its job as a proper expansion on the story-line  characters and the general universe. Sure, there’s action and suspense and the entire bang required of a modern-day big label sci-fi, but “Star Trek Into Darkness” has much more to offer than only that. What I’m about to say might be considered heresy in some circles, but from the point of view of character development, story progression and the overall tone of the film, “Star Trek Into Darkness” is “The Empire Strikes Back” of the Trek universe. The story sets many important things in motion, the characters undergo massive and very important changes that would define the tone of the next installment  some potential momentum is generated, and the atmosphere as a whole is far more dark and ominous than the original “Star Trek”. I can’t say more at the time in the interest of not spoiling anything.

In summary, “Star Trek Into Darkness” is a very good movie on its own and a fantastic addition to the vast Trek universe. The film pays due homage to the classics with the signature lines now part of the wider pop-culture that would make a nerd squeal, and it sports a fair share of laughs, however, not even once does it cross the line. The movie retains its independent style that looks more ‘starwarsy’ than ‘startrekky’, but it works only to the benefit of the film as a whole. The rapid action, witty humor and gorgeous effects are in perfect balance with engaging story, seriously sinister villains and their actions. It truly is a star trek into darkness.

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